{"id":281,"date":"2009-08-24T12:56:36","date_gmt":"2009-08-24T10:56:36","guid":{"rendered":"http:\/\/www.gkl-rijeka.hr\/wp\/?p=281"},"modified":"2016-06-27T15:04:37","modified_gmt":"2016-06-27T13:04:37","slug":"slavuj","status":"publish","type":"post","link":"https:\/\/www.gkl-rijeka.hr\/index.php\/slavuj\/","title":{"rendered":"Slavuj"},"content":{"rendered":"

[et_pb_section admin_label=”Section” fullwidth=”off” specialty=”on” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” module_id=”specialtySectionPIN” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_column type=”3_4″ specialty_columns=”3″][et_pb_row_inner admin_label=”Row”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″][et_pb_post_title admin_label=”Naslov” title=”on” meta=”off” author=”on” date=”on” categories=”on” comments=”on” featured_image=”off” featured_placement=”below” parallax_effect=”on” parallax_method=”on” text_orientation=”left” text_color=”dark” text_background=”off” text_bg_color=”rgba(255,255,255,0.9)” module_bg_color=”rgba(255,255,255,0)” title_font_size=”42px” title_all_caps=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_post_title][et_pb_gallery admin_label=”Slajder slika” gallery_ids=”2784,2785,2787,2788,2789″ fullwidth=”on” show_title_and_caption=”off” show_pagination=”on” background_layout=”dark” auto=”on” hover_overlay_color=”rgba(255,255,255,0.9)” caption_all_caps=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid” gallery_orderby=”rand” posts_number=”16″] [\/et_pb_gallery][et_pb_text admin_label=”Podnaslov” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

H. C. Andersen<\/h3>\n

Za \u0161kolski uzrast.<\/h3>\n

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Autorska ekipa:<\/strong><\/p>\n

Redatelj i dramaturg: Lary Zappia
\nScenograf: Dalibor Laginja
\nSkladatelj: Du\u0161ko Rapotec Ute
\nOblikovatelj svjetla: Deni \u0160esni\u0107<\/span><\/p>\n

Sudjeluju:<\/strong><\/p>\n

Bo\u017eena Dela\u0161
\nAlex \u0110akovi\u0107
\nDavid Petrovi\u0107
\nAn\u0111elko Somborski
\nZlatko Vici\u0107
\nGiorgio Surian kao Slavuj<\/p>\n

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RIJE\u010c REDATELJA<\/p>\n

Vjerojatno najpoznatiji od svih Danaca, Hans Christian Andersen, pisac je uz \u010dije su bajke odrasli mnogi nara\u0161taji. Pose\u017eu\u0107i za njegovim djelima, generacija za generacijom u njima iznova otkriva ne samo literarnu, ve\u0107 i duboko ljudsku ljepotu od koje su sazdana. Pronicljiva pogleda pomno uprta u duboku ljudskost svojih nesavr\u0161enih protagonista, Andersen ve\u0107 dva stolje\u0107a tjera svoje \u010ditatelje da odmalena postanu svjesni iznimaka od kojih je satkan \u017eivot, te da ne izgube iz vida svoju (\u010desto zanemarenu) nepatvorenu poniznost.<\/p>\n

Andersenovi junaci su uglavnom obi\u010dni, mali ljudi (ili \u017eivotinje,) gotovo nedorasli zadacima koji se pred njih postavljaju. I upravo stoga njegove bajke nemaju predvidljiv tijek i njihov ishod \u010desto nije optimisti\u010dan i vedar; \u0161tovi\u0161e, mnoge nas iznenade tragi\u010dnim svr\u0161etkom jer mali ljudi dobivaju bitke samo u holivudskim filmovima. Ali, dok suznih o\u010diju odla\u017eemo knjigu, u du\u0161i smo bogatiji za jedno imaginarno iskustvo i \u010dvr\u0161\u0107i za jednu vrlo nedvosmislenu moralnu pouku.<\/p>\n

\u201eSlavuj\u201c je donekle iznimka u pogledu tragi\u010dnog kraja, premda je tijekom ve\u0107eg dijela te bajke na\u0161e srce tu\u017eno i suosje\u0107a sa izgnanim slavujem, ili je pak ljuto na obijesnog i nezahvalnog cara. Ipak, happyendu <\/em>usprkos, \u201eSlavuj\u201c je pri\u010da o ljudskoj nezahvalnosti, o ljudskoj nestalnosti, ali, ako stvarno razumijemo Andersena,\u00a0 i pri\u010da o oprostu, o na\u0161oj sposobnosti da \u2013 poput malog slavuja \u2013 zaboravimo nanijeta zla, te da nekome tko nam \u010dini na\u017eao pru\u017eimo drugi obraz.<\/p>\n

Rade\u0107i predstavu po Andersenovu predlo\u0161ku prije svega poku\u0161avamo slijediti stil originala: dotaknuti gledatelja bez patetike, podu\u010diti ga bez dociranja, zabaviti ga bez lakomislenosti. Rije\u010dju \u2013 nastojimo zadr\u017eati Andersenov osnovni narativni tok, ali ispri\u010dati pri\u010du jezikom kazali\u0161ta, a ne literature. Zahvaljuju\u0107i tome, upu\u0161tamo se u istra\u017eivanje forme koje nas vodi u svijet zvuka i slike kao potke neverbalnog koja prodire u gledao\u010devu podsvijest. Time ukidamo jezi\u010dne barijere i ulazimo u \u201enevidljivi\u201c dijalog na kojega publika mo\u017eda i ne zna da je pristala.<\/p>\n

Na\u0161a je predstava u kona\u010dnici samo nadahnuta Andersenovom bajkom; gledatelji koji tra\u017ee vjernost izvorniku bit \u0107e pomalo razo\u010darani, ali moraju znati da nemamo namjeru baviti se ilustracijom.\u00a0 Magija klasika slu\u017ei da nam potakne ma\u0161tu i da nam podari vjetar u le\u0111a. Uz malo sre\u0107e, mo\u017eda \u0107emo zatvoriti krug i nagnati gledatelje da posegnu za izvornikom i pro\u010ditaju ga u dahu, te da tako nastave dijalog koji smo zapo\u010deli.<\/p>\n

Lary Zappia<\/p>\n

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online rezervacije<\/a><\/p>\n<\/div>\n

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Kalendar doga\u0111anja<\/h1>\n

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