{"id":86,"date":"2008-01-08T12:06:43","date_gmt":"2008-01-08T11:06:43","guid":{"rendered":"http:\/\/www.gkl-rijeka.hr\/wp\/?p=86"},"modified":"2026-01-09T14:42:12","modified_gmt":"2026-01-09T14:42:12","slug":"suma-striborova","status":"publish","type":"post","link":"https:\/\/www.gkl-rijeka.hr\/index.php\/suma-striborova\/","title":{"rendered":"\u0160uma Striborova"},"content":{"rendered":"

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Ivana Brli\u0107 Ma\u017eurani\u0107<\/h3>\n

Za pred\u0161kolski i \u0161kolski uzrast.<\/h3>\n

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Redatelj i dramaturg: Lary Zappia<\/strong>
\nOblikovatelj i realizator scenografije: Dalibor Laginja<\/strong>
\nSkladatelj: Du\u0161ko Rapotec Ute<\/strong>
\nOblikovatelj svjetla i projekcija: Deni \u0160esni\u0107<\/strong>
\nInstrumentalni i vokalni aran\u017emani: Du\u0161ko Rapotec Ute<\/strong><\/p>\n

Izvode:<\/p>\n

Almira \u0160tifani\u0107<\/strong><\/p>\n

Karin Fr\u00f6hlich \/ Andrea \u0160pindel <\/strong><\/p>\n

Lino Brozi\u0107<\/strong><\/p>\n

Zlatko Vici\u0107<\/strong><\/p>\n

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Gosti izvo\u0111a\u010di: sopila\u0161i Dean Volari\u0107<\/strong> i Dorijan Polonijo<\/strong>
\nSongove pjeva skupina \u201cRivers<\/strong>\u201d<\/p>\n

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\n\u00ab \u2026te su \u00abPri\u010de\u00bb koli u svojoj biti, toli u svojoj izvedbi \u010disto i potpuno originalno djelo. One su sa\u010dinjene oko imena i likova uzetih iz slavenske mitologije, i to je sva vanjska veza, koje one imaju sa narodnom mitolo\u0161kom predajom. Ni jedan prizor, ni jedna fabula, ni jedan razvoj, ni jedna tendenca u ovim pri\u010dama nisu na\u0111eni gotovi u na\u0161oj mitologiji. (Tko se iole bavio studijem mitologije, znade uostalom, da je na\u017ealost na\u0161a slavenska mitologija u svojoj cjelini jedan skup malone sasvim nesuvislih naga\u0111anja, jedno polje ru\u0161evina, iz kojega kao uspravni stupovi vire ba\u0161 samo imena).\u00bb<\/p>\n

\u00abO prakti\u010dnoj genezi \u00abPri\u010da\u00bb pitali su me ve\u0107 \u010desto. [\u2026] Bilo je to ovako:
\nJedne zimske ve\u010deri bio je na\u0161 dom, protiv obi\u010daja, potpuno tih. Nigdje nikoga, sobe velike, svuda polutama, nastrojenje tajnovito, u pe\u0107ima oganj. Iz posljednje sobe \u2013 velike blagovaonice \u2013 za\u010duje se \u00abkuc! kuc!\u00bb \u2013 \u00abTko je?\u00bb upitam. \u2013 Ni\u0161ta! Opet: \u00abkuc! kuc!\u00bb \u2013 \u00abTko je?\u00bb \u2013 i opet ni\u0161ta. Nekim tajnovitim strahom stupim u veliku blagovaonicu, i najednom: radosni prasak, udarac, mala eksplozija! U velikom kaminu prasnula je na vatri borova cjepanica, \u2013 na vrata\u0161ca kamina izlete mi u susret iskrice, ko da je roj zvjezdica, a kad raskrilih ruke da uhvatim taj \u017eivi zlatni darak, podigle se one pod visoki strop i \u2026 nije ih vi\u0161e bilo. \u2013 \u010citala sam u ono doba Afanasjeva \u00abVozzrenija drevnih Slavjan na prirodu\u00bb \u2013 pado\u0161e mi u taj tren na pamet \u00abdoma\u0107i\u00bb. I tako onaj roj iskrica-zvjezdica ipak bi uhva\u0107en \u2013 i to u \u00ab\u0160umi Striborovoj\u00bb \u2013 i ona nastade upravo uslijed njih. Iza ove prve pri\u010de nastado\u0161e ostale, njih jo\u0161 sedam, bez ikakve zasebne \u00abgeneze\u00bb, dakle su i one kao i \u00ab\u0160uma Striborova\u00bb izletjele kao iskre sa ognji\u0161ta jednog drevnog slavenskog doma.\u00bb<\/p>\n

Rije\u010d redatelja<\/strong>:<\/p>\n

Premalo se govori o Ivani Brli\u0107-Ma\u017eurani\u0107. A imala bi \u0161to re\u0107i prije svega sociologija i psihologija, mo\u017eda i antropologija, zatim povijest, teorija kulture, teorija knji\u017eevnosti, napose rodna teorija. Po\u0161tovanje izaziva \u010dinjenica da je na \u00abbrdovitom Balkanu\u00bb jedna \u017eena bila uspje\u0161an, plodan, objavljivan pisac (ona sustavno objavljuje od 1902. pa sve do 1937., gotovo do pred smrt). Jo\u0161 vi\u0161e zadivljuje \u010dinjenica da je postala prva \u017eena \u010dlan Jugoslavenske akademije znanosti i umjetnosti. Bez rije\u010di ostavlja podatak da je dvaput bila predlo\u017eena za Nobelovu nagradu za knji\u017eevnost. No, vi\u0161e od svih biografski podataka, impresionira nas njezin rasko\u0161ni spisateljski dar, ruka majstora koja se prepoznaje na svakoj njezinoj stranici, u svakoj knji\u017eevnoj formi koje se Ivana Brli\u0107-Ma\u017eurani\u0107 poduhvatila.<\/p>\n

Posegnuti danas u kazali\u0161tu za \u00ab\u0160umom Striborovom\u00bb zna\u010di posegnuti za klasikom hrvatske knji\u017eevnosti, zna\u010di svjesno sagraditi predstavu zasnovanu na jeziku, na narativnoj ba\u0161tini, i na sna\u017enoj emociji. Meandri fabule kod nje ne slijede kli\u0161eje svjetski poznate literature za djecu; morfologija njezine bajke ne uklapa se u postoje\u0107e modele; moralne pouke \u0161to nam ih ostavlja ne pripadaju uvrije\u017eenim arsenalima pri\u010da za laku no\u0107. U na\u0161im je rukama neobi\u010dna parabola o \u017ertvovanju, o bolu, o patnji, vrlo slavenski mu\u010dna i duboka pri\u010da \u010diji se prividno sretni zavr\u0161etak mora skupo naplatiti. Druga\u010dije, o\u010digledno, ne mo\u017ee \u2013 i Andri\u0107 ka\u017ee da ljudi na ovim prostorima znaju samo ili trpjeti bol ili je nanositi\u2026<\/p>\n

S velikim po\u0161tovanjem i s jo\u0161 ve\u0107im veseljem la\u0107amo se, dakle, na\u0161eg Andersena. Autorskome timu ove predstave lutkarstvo nije primarna profesija, pa je hibrid koji se ra\u0111a spoj lutkarskog i dramskog izri\u010daja. Rezultat je vizualno bogata scenska igra pro\u017eeta glazbom, s reduciranim brojem aktera, koja \u2013 i pored velike semioti\u010dke slobode \u2013 uva\u017eava i ethos i mythos slavnog predlo\u0161ka. Na\u0161e se scene pretapaju jedna u drugu, a svaki pojedina\u010dni prizor u gotovo praznome okviru ni iz \u010dega stvaraju igra\u010di, vrijedno poput graditelja. Sli\u010dnim se \u010dudom \u2013 umije\u0107em igra\u010da \u2013 narativna struktura pisca preobra\u0107a u dijalo\u0161ku, dramsku, pa onda opet \u017eustro vra\u0107a natrag, u naraciju. Predstava se odvija i brzo i polako, i bu\u010dno i tiho, s glazbom i bez nje, u svjetlu i u mraku. U njoj se, devedeset godina nakon nastanka \u00abPri\u010da\u00bb, neminovno sudaraju urbani svijet savijenog metala i ljepota divlje i nepokorive prirode, proza svakodnevice i poetika arhetipskog. I, kao u svakom sudaru, \u010desto od siline kosti pucaju\u2026<\/p>\n

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Kalendar doga\u0111anja<\/h1>\n

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